The Music Machine -- (Turn on)

  Take out the cheesy covers and the campy stereotypical 60's originals, you've got yourself a Punk Rock record.  These guys had jet black moptops, all wore one black glove, in an all black garb.  Trouble, Wrong, People In Me and Masculine Intuition are fast fuzzed out punk numbers with flirtations of psychedelia -- it's 1966 after all.  Where the real money lies is on hit track Talk Talk, no psychedelia, no hippie bullsh*t, this is the real deal, fast, angry and loud.  The lyrics describe a degenerate who left his child, his reputation is "something more than wild," his name is "Really Mud," he has to hide his face, "or go some other place"; all this because of a life filled with lies and deceit, it eventually gets so bad, he takes off, washes his hand of all the damage he's done.  For a hit tune the theme is not only dark, it's sympathetic to criminalesque anti-social behaviour, makes me think of the Hell's Angels 1% ers.  I probably think that because Lester Bangs had a funny story about a homosexual biker obsessed with this song, only able to commit heterosexual activities while his 45 of Talk Talk is being played over and over, what this story suppose to mean or why I mentioned it I have no idea, but it's something that struck Bangs so it struck me!  Everyone better Turn On The Music Machine, because I doubt these guys would let you turn it off.

The Beatles -- '65

  Beatles '65 foreshadows what is to come from the group.  Lush sounding No Reply, I'll Follow The Sun and  Mr. Moonlight.  Rock 'n' roll classics Honey Don't, Everybody's Trying To Be My Baby and Rock And Roll Music.  Beatlemaniaed I'm A Loser, Baby's In Black and I'll Be Back.  The numbers of interest She's A Woman and I Fell Fine.  She's A Woman is bass driven track turned up to eleven and has a Velvets simplicity, like a slowed down I'm Waiting For The Man.  Super hit track I Fell Fine's influential guitar riff goes into the jangly hippy cool of the Byrds and has a style that is still mimicked today.  1965 was the year of the subtle experimentations acting as a stepping stone to the future.

The Shirelles -- Greatest Hits

  Classic girl group, The Shirelles are amongst the greatest of their era.  All the songs are beautifully arranged and are written by a cool collection of rock luminaries (look it up), meaning this album isn't anything less than perfect!  The main mega hits are the ones I love the most, Dedicated To The One I Love. a group vocaled doo wop track, Baby It's You the beautiful somber mood number, and Will You Still Love Me Tomorrow the superbly arranged work of art, but that doesn't mean that any of the other tracks aren't great -- trust me ... get into the Shirelles and listen to the LOVE!

The Rolling Stones -- Between The Buttons

  Totally bizarre Between The Buttons showcases Brian Jones's multi-talented musicianship more than any other Stones record.  None of the songs are in the traditional Rolling Stones format.  It's hard to pin point what kind of music this is suppose to be, it's so damn all over the place, maybe a pastiche of 60's punk and baroque psychedelia, you'd have to look Between The Buttons to figure it out ... but at the same time this album is a great example how far rock 'n' roll can go, and only a handful of 60's artist could pull off this level of brilliance.

Cat Stevens -- Mona Bone Jakon

  Mona Bone Jakon is by far the best Cat Stevens album, not that it sounds all that different than the others, it just has a greater sophistication and range.  The two main reasons that make this record a cut above the rest, are, I Think I See The Light, with its simple childish sinister sound, and two, Trouble, the perfect sound for human emotion, it's really miraculous how much Stevens nailed it.  Funny footnote:  A seriously themed album is titled after the Cat's pet name for his wing-wang.  Anyhoo moral is, try and stay out of Trouble,  See the Light and watch out for old hippie ladies, you never know when you'll fall in love with one!

Beach Boys -- Summer Days (And Summer Nights)

  Just under half an hour, Summer Days (And Summer Nights) is another release getting away from the early Beach Boy Chuck Berry sound and weening towards the arranged baroque style they are better known for.  Wilson here is perfecting his Spectorized wall of sound, from a four piece rock 'n' roll band, to complex string arrangements, and the sonic barbershop doo wop quartet.  Lyrically its basic Beach Boy themes, girls, the beach, but totally surfless -- weird.  My favorite numbers on this record have a Dada element of simplicity and beauty, Girl Don't Tell Me and You're So Good To Me.  And as much as I think I won't like it because of the David Lee Roth version the super hit California Girls is still great, it captures the timeless boyish obsession with fairer sexe!  The only thing I don't recommend on this album is the instrumental Summer Means New Love.   What is this suppose to be, an attempt to make it on a swinging groovy  movie soundtrack? YUCK!  Enjoy your Summer Days (And Summer Nights), I do (well try to)!

Jethro Tull -- Aqualung

  Aqualung is, in all fairness, just the ramblings of a vagrant mad man, which gives the band points for originality, but hardly makes this seminal classic, conceptual, prog, heavy metal, folk, celt, mishmash any good.  The strangeness of the album does make it a must hear, at least once, and for me, once was enough!  What made it even more bizarre were the notes on the back cover, tweaked from the book of Genesis for the character of Aqualung.  Side one focuses, and is named after, Aqualung, a sniveling weirdo, while the flipside focuses, and is named after God, now is it about Aqualung's relationship with God, I don't know.  There were a couple pleasant surprises on this record.  The first one, a folk number, Cheap Day Return, clocked at 1:21, this track has a Cat Stevens feel to it, and I'd go as far as saying a Elliot Smith vocal sound inbeded in the beginning -- I loved it.  The second surprise was in the song Mother Goose it stems in the same vein as the previous track, not as good, but gets murdered by intervals of flute solos which makes you think you were in Polanski's Macbeth.  Aqualung is just one of those weird thing in rock history, I didn't like it, but I respect it for what it is!