Numan's follow up to the Synth-Pop Classic The Pleasure Principle, Telekon is Tele-crap. Beating the dead horse release, you get the feeling that Numan was far too into his bizarro futurist shtick, which gives him points for going full force, otherwise it's just creepy, like the baby faced cover. Funny that it kinda sounds the same as his earlier releases, but there is something missing that made the others good and this one bad, maybe he just exhausted the idea to the point it didn't have life ... I don't know ... what I do know is that Telekon is Tele-gone!!
